![]() This energy was maintained through the entire concert and at the end left me wanting to see more. I got so wrapped up in the music it seemed like the artists were weaving a tale, that I was actually seeing a play rather than just a music concert. It was almost like seeing a music concert and a wordless play at the same time. I have never seen a performance quite like this, and it was clear that the others in the audience were equally intrigued. In the spirit of jazz, the interaction between the musicians was almost like a conversation, with the sounds blending perfectly, but at the same time, watching the artists in the way they moved, played and even their expressions, they seemed to be talking back and forth to one another using their instruments rather than their voices. ![]() He is not the next anyone, and when he came to Birchmere in Alexandria, VA, so close to Washington, DC, I had to take the opportunity to check it out in person. Electric bass players may find the two similar channels an excellent way to make individual EQ settings for two different instruments and make it possible to switch between the two smoothly at a gig.I love a variety of music, and therefore often find fusions to be interesting and enjoyable.įor some reason, I particularly like rock fusions, and Stanley Clarke has a unique blend of jazz with a bit of pop, rock, and R&B thrown in that is infectious, irresistible and uniquely his own. Other acoustic instruments benefit from the same specific features that this pedal is equipped with to handle the upright bass. The frequency range of an upright bass is wide and complex, which means most other instruments - acoustic or electric - fits within the range that this pedal covers. Aux Input and professional-grade headphones output.Ĭan this pedal be used with other instruments?.Balanced Output (with Speaker Simulator and Ground Lift).XLR microphone-input with 48V Phantom Power (channel B).Individual High Pass/Notch Filter for each channel.10 Mohm Impedance inputs (both channels).Operates with Studio-grade signal quality.The Aux Input and professional-grade Headphones output makes practicing and learning new songs easy. Use it in conjunction with a Speaker Simulator and use the Ground Lift to prevent hum. A BALANCED XLR-OUTPUT sends a studio-quality line signal to front-of-house or a recording device. At 30.75 inches, the scale length is exactly what Stan plays, to the surprise. That's largely due to the short scale length. When you pick up a Stanley Clarke Signature bass you immediately notice how easy it is to play. A TUNER OUT lets you plug in an external tuner. Part of that sonic memory was because he was playing an Alembic bass, and it may have been the first time you ever heard one. Hook up additional effects in serial or parallel through the EFFECTS LOOP (requires a Y-split insert cable). Spellcaster - Stanley Clarke signature bass demo Alberto Rigoni 10.1K subscribers 2.6K views 11 months ago Here comes my demo of Stanley Clarke's signature bass by Tom Lieber guitars. If that occurs, a Phase Inverter switch, attached to the A channel, will solve the problem. The preamp lets you jump between the A and B channels to allow for different settings when you play with a bow or pizzicato or mix the two if you use two different input sources.īlending two different sound input sources can sometimes cause a phase issue. Choose whether to use the XLR or 1/4"-input for the B channel with a switch. The B channel allows you to use a 48V Phantom powered (or passive) dynamic or condenser microphone as the source via an XLR-input. The A channel also provides support for Electret pickups when activating a dedicated switch. With 10 Mohms input impedance for both the A and B channels, it handles any instrument with passive, active, or high impedance piezo pickups. The notch and high pass filters are excellent tools to prevent unwanted feedback and adjust the sound to the characteristics of the room and your instrument. A switch decides the function, while the control knob picks the frequency range. They both also have a secret weapon, a control knob that can be used either as a HIGH PASS or NOTCH filter. The A and B channels both feature an input GAIN control and an EQ strip with BASS, MIDS (pick the frequency range with one knob and cut or boost in that range with another) and TREBLE. ![]() The headroom and specific features make it ideal for handling the complex sonic characteristics of an upright bass. The superior signal quality makes it suitable to use as a preamp in combination with any power amp. Since the preamp operates at a signal level equal to professional mixing consoles it provides a huge amount of headroom. It is engineered and designed by EBS together with the legendary bass player and composer Stanley Clarke. ![]() The Stanley Clarke Signature Acoustic Preamp is a 2-channel preamp, built exclusively with premium components.
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